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There is very little middle ground to be found with a movie like "R100," so it's a marvel that that's exactly where we seem to be with it. On the one hand, it really is funny on more than one occasion, and it's the kind of humour that feels original because you've rarely seen it outside Japanese television sets. There are plenty of motifs about joy, the unexpected and self-deprecation that are done in an impressive manner to make you truly appreciate the method behind the madness. On the other hand, how much is enough, where does the line stop and how many tangents can a single film take before it starts making bad parodies look like artistic masterpieces? As compelling as "R100" is in spurts, it's ultimately an exercise in excessiveness that only a niche audience will be able to fully stomach. [C+]
Takafumi Katayama (Nao Omori) is a regular salesman who lives modestly with his young son and a father-in-law who visits quite often, cooking dinners and being a family. Takafumi's wife is currently in a coma so times are tough and one of the ways that Takafumi finds to alleviate this
